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Being band updates - as well as sleaze, disturb, and stupid crap.


























As if being a military leader was not enough, she served as a high priestess and oracle caster as well. These are very unusual roles for a woman to play at that time because the King held complete sway over ritual matters. Sacrifices and rituals were the most important political activities of the time. There is evidence, though, in oracle bone inscriptions, that King Wu Ding often asked Fu Hao to conduct special rituals and offer sacrifices to the ancestors. This proved not only that Fu Hao was highly respected, but also that she obviously had the king's confidence.



She is the one who has accomplished the rites and taken care of Egypt... She has looked after her soldiers, she has guarded her, she has brought back her fugitives and collected together her deserters, she has pacified Upper Egypt and expelled her rebels.































The double-axe is the earliest religious object found in cave sanctuaries of the Early Minoan period. Interestingly, the double-axe appeared always in the hands of a goddess and never held by a male deity. Since the double-axe was an important religious object... obviously the female deity played a dominant part in Minoan Crete... The double-axe might have acquired the sanctity from its use killing the sacrificial animal; however, the origin of the axe may be found in Old Europe. As Gimbutas suggested, the double-axe might have been the epiphany of the goddess in the form of a butterfly... Originally, the appearance of the double-axe was not associated with the axe, because the prototype of the double-axe emerged several thousand years earlier than the appearance of metal axes. The butterfly represents the goddess of regeneration together with the chrysalis.





"we often refer to the labrys as a feminist symbol. . . . an image that points beyond itself to deep Reality. When we activate its Metaphoric Potential, however, we whirl it, hurl our Selves with it. As Metaphor it carries us into new Realms, and it changes our perceptions, our be-ing. Used metaphorically, it is an instrument of change, of Metamorphosis. Flying with it, we shift from circular reasoning to Spiraling E-motional knowing and action".


The labrys ("lip"), or double-headed axe, was the central ritual symbol and tool prominent in the Cretan region, and was carried only by women. We find this same feminine attachment and reverence for the labrys in the later Amazonian cultures. It is found in Paleolithic cave paintings.
The labrys is symbol of the female labia at the entrance of the womb and the butterfly, which is connected with rebirth. The double axe is also associated with the even more ancient hourglass figure of the Goddess. When mounted between cattle horns, the labrys was the holiest of Goddess symbols. The matriarchal Cretans made the double axe in all sizes, from delicate jewelry to nine foot tall specimens which stood at the ends of altars. This symbol also marked the entrance to Goddess sanctuaries.
The labrys was a feminine only ceremonial weapon, also used by women in agricultural working and battle.
The two heads symbolize the waxing and waning Moons. The labrys design is found on matriarchal murals and mosaics, pottery, seals, and amulets. It was exclusively a symbol of the Great Goddess, until part of its symbolism was later transferred to the Nordic god Thor.