Saturday, 15 August 2009

Loop - Edizione Limitata di 1000


Soundheads out there will likely know that Loop has been reissuing their recorded output over the last year or so. Initially slept on, these records are now considered classics of guitar-rock brain-oozing psych, and it's a wonderful thing to finally see Robert Hampson discussing the band after some 20 years of studiously ignoring the subject and focusing on his later Main project.

Now Main is defunct too, and Hampson is actually putting out albums under his own name. The Loop reissues have generously included bonus discs of Peel Sessions, demos, and comp appearances. With the exception of recordings now too damaged to remaster, it seems almost everything that Loop ever released is seeing the light of day. Everything, that is, with one noteable exception...



The history of this Loop live bootleg is largely unknown. Released in 1992, originally in both the double-LP format and as a single CD, this Italian bootleg was famously limited to 1000 copies; the songs were late-period Loop, with many tracks off their last record "A Gilded Eternity". I bought mine not long thereafter at an HMV of all places, and yes, it was expensive even at the time.

According to the Loop discography at glassdarkly -

Appears to be the complete concert from which "Got To Get It Over (Live)" from Dual was extracted. Oddly enough, the sound on this is vastly superior to the version from DUAL (provided that they are, in fact, from the same show). As a matter of opinion, these live versions are given a much more muscular workout than the studio versions, at least as far as the tracks from A GILDED ETERNITY are concerned. "Mother Sky" is a cover of a song by Can.


A 12" Loop EP came out around 1991 consisting of three tracks and entitled "Prisma Uber Europa"; interestingly enough, these three tracks have in fact been reissued on the bonus discs for Loop's "The World In Your Eyes" collection. Now, two of those three tracks - "Afterglow" and "Got To Get It Over" - are the same live versions that appear on "Edizione Limitata di 1000".


Further, that same live version of "Got To Get It Over" also appears on "Dual", which is an official release (although not sanctioned by the band). Again, information at glassdarkly lists this recording as dating from Loop's 1990 tour of the US (opening for The Cult, I believe). So it would seem that the master for all these live recordings may well have been in the possession of the band, at least at one time.



Still, as the write-up quoted above suggests, the sound on the Italian bootleg is superior to that on the official comp album. So who knows? The whys and wherefores aside, I give you now that rarest and most-sought-after Loop prize, a nice 320 rip of the original CD bootleg, the full-length "Edizione Limitata di 1000" --

Loop - Edizione Limitata di 1000 (320)




***ADDENUDUM (Aug. 25/09): I bought the flabbergastingly awesome three-disc remastered edition of the Loop compilation "The World In Your Eyes" yesterday, and the notes for those aforementioned three live tracks list their recording location as, "God only knows" -- which pretty strongly suggests to me at least that Loop must not have recorded the songs in the first place!***

Friday, 14 August 2009

CATL has the most talent!


Big ups to my brethren in Toronto blues mavericks CATL, for yesterday against all odds they won the Toronto Blues Society's Talent Search Finals, held at Nathan Philips Square.

This must have been especially nice as it followed a trip down to Detroit to do some recording (their first as a trio) for the follow-up to their debut "¿Adónde Vas? A Ningún Lado" LP. 2009 is shaping up to be the year of the CATL.

Congratulations.

Thursday, 13 August 2009

Poster Show IV poster!


Another great poster by Fort Polio, this time for Poster Show IV (which No No Zero is playing of course) -- not just a great bill, but a wicked poster exhibition and a fundraiser in honour of the late great Mr. Majewski himself (that's him on the poster, in case you couldn't figure it out).

I can tell you that we will *not* be a trio at this show after all, and should have some 'special guests' joining us onstage... aaaaaaaannnd the Michal Majewski fundraisers just don't stop! September 18th will see No No Zero return to the super-sleazy Atria in Beautiful Downtown Oshawa, to raise money for a Majewski trust fund, along with The Diplomats and The Ancestors.

Please note also the new-fangled Upcoming Shows sidebar - which hopefully will be around for awhile.

Sunday, 9 August 2009

Gravitar - Live at the Gold Dollar, Detroit 1999


I was lucky enough to see Michigan magicians Gravitar play live one time - this very gig in fact*, a release show for their then-new "You Must First Learn To Draw The Real" CD on Monotremata. Me was so crazy about Gravitar's colossal racket, I drove all the way from Oshawa (about a four hour trip one way) to see them - and the band were every bit as good as I'd hoped they'd be and then some.

I was shocked at how small-scale it all seemed initially: Geoff Walker on vocals (and occasionally guitar), sitting in an ordinary chair like some old bluesman, surrounded by effects pedals; his brother Mike on guitar; Eric Cook on drums. They looked like normal enough guys, nice guys.


This didn't visually promise anything like what erupted from the speakers when they actually started playing - immense sheets of gnarly GRIT noise and tripped-out vocal ECHO assault, HUGE psychedelic godhead RIFFS, caterwauling free jazz FILLS coming faster & harder than could be mentally absorbed.

Forget the room, these guys rocked the universe. I bought everything they had for sale and babbled like a goon to them afterwards about how great they were. Eric even mentioned my driving all that way on his website.

So yeah, I was a big fanboy of Gravitar. As far as I was concerned, they were the last word in heaviness at the time. I even bought their box set 'Ten Years of Tears' (from Enterruption) when it came out - this went through four editions, each slightly different, of which I think I have No. 2.


One of the discs in this box was an exclusive called 'Live 1999-2000' -- featuring two sets from the band; the Detroit 1999 set, and another the following year in San Francisco. I have struggled mightily to upload this second set, but the second half of it is stubbornly resisting all my efforts so you'll have to make do with just the one, sorry.

If you'd like to know more, including what became of Gravitar, here is a wonderful recent interview with Geoff Walker and Eric Cook.

Gravitar - Live at the Gold Dollar, Detroit 1999 (@ 320 kbps)



*based on info at the Gold Dollar's archived historical schedule, it was their only show in 1999.

Friday, 7 August 2009

Blind Alley - The Ruby Kennel Club


Blind Alley is a project of guitarist Gary Mundy, perhaps best known as a member of (recently reactivated) British noise-rock legends Ramleh. The style is fried psychedelic guitar workouts with occasional percussion, culminating in a brain-melting 22 minute raga called "Until The Light Returns". Very underrated record, this.

"The Ruby Kennel Club" was originally issued in 1996 by now-defunct Freek Records; if you want a hard copy, your best bet would be to contact the man himself through his MySpace page.

And, speaking of re-activation, Mundy's label Broken Flag is back putting out records as well! Happy days are here again.

Blind Alley - Ruby Kennel Club (@ 320 kbps!)

Wednesday, 29 July 2009

No No Zero Back! Majewski! Poster Show!


I didn’t want to prematurely announce that No No Zero were back before we had a show booked, just in case everything fell through and I looked like an overexcited moron. Now that we do have a show (of which more below), I am happy to announce that the band is back in gear & have been working up a blistering new set for the last month or so.

Perhaps the first thing you should know is that No No Zero is greatly reduced in personnel, at least for the time being – aside from yours truly, we have Zak Hanna on the guitar & Mark Jarrett on the drums. And that’s it! Maximum ARGH, minimum membership.

Alumni Josh Bauman (also of Quest For Fire) joined us for one jam while he was in town, and Greg 'Sweets' Sweetland has tried to make it back too, but is simply in too many bands right now for that to work. Jamie & Johnny meanwhile are still happily rocking away with Catl.

Will we be three at our first show back? Only time will tell. As to the show –- it is Poster Show IV, the last in a very successful series of events in which bands mingle happily with band posters, and both the eyes and the ears are left well satisfied. This year is supposedly the last ever, and is taking place Friday, September 4th at the Royal Canadian Legion Hall Branch 344, 1395 Lakeshore Blvd. W., Toronto (near the Palais Royale).


This is a special edition of an already special show, not only because it may be the last, but because it's honouring one of the best poster artists on the scene, as well as a hell of a great guy, the recently-deceased Michal Majewski. Proceeds are to go to Mike's family & loved ones. They'll be a display of his posters at the show, in addition to the usual amazing cornucopia of poster artists and their posters.

Mike was a musician as well as a visual artist, playing bass in the heavy, heavy FATO, and the musical bill at Poster Show IV is what has me most excited of all. The line-up is: The Ancestors, Sun RaRaRa, No No Zero, Quest For Fire, and finally those fabulous funky kings from Oshawa named Anagram.

This is a great, great bill, and I am really looking forward to seeing everybody play. If I weren't expected to actually, you know, perform, I know what I'd be putting under my tongue beforehand, and it wouldn't be a breathmint.

7PM
SEPT 4 2009
LEGION HALL
1395 LAKESHORE W