Tuesday, 20 January 2009

Unseen Trash Palace Robo-Poster!


Buddy Lee Roth posted this one to Gigposters today & it's one I hadn't seen before - so I share it with you here. It's coming up on a year since this show, the first ever at the Trash Palace, and what a fun show it was.

Here's hoping the Trash Palace has a great 2009!

Friday, 16 January 2009

Thursday, 15 January 2009

Dempsey & Makepeace!



In the annals of action cinema, 1985 must surely mark something of a high point. It wasn't just the movies that were top-notch that year however. Television had earned its own bragging rights - and surely one of the best TV action series of all time was British police drama Dempsey & Makepeace.

This cop show detailed the unlikely pairing of tough Brooklyn cop lieutenant James Dempsey (played by Michael Braydon) with upper-crust noble Sergeant Harriet Makepeace (played by Glynis Barber); as with all such team-ups, the two are initially distrusting of each other, only to become close partners as their adventures ensue. It's worth noting incidentally that Braydon and Barber not only married after they met working on the show, but are still married some twenty years later.

There are a few websites out there that cover all this information about the TV show itself very nicely. I am more interested here in the paperback adaptations of episodes that Futura released in conjunction with the show; by contrast, there is precious little available on these books. Of the six released, I still have the first two, and it is these I feature today in this post, Make Peace, Not War by Jesse Carr-Martindale (who wrote several episodes for the first season of the programme) and Blind Eye by John Raymond.



These paperback tie-ins have always fascinated me; why would anyone be interested in reading an adaptation of a TV show they enjoyed? The reason, it seems to me, is that the medium affords greater opportunity for salacious detail, for sex, for sleaze - something denied the producers of the show, which after all had to air on evening television. It may be difficult to imagine in this age of internet, cable and HBO, but back in the mid-80s, TV was still relatively clean, even in the case of a police drama.

By contrast, I picked up the first book in the series, opened it at random and read a sequence in which our lady detective approaches a "big black" at the Pink Pussycat Peep Show :

Makepeace gave the man a crisp pound note and he fished into a filthy cloth pocket that hung around his belly, like a kangaroo's pouch that had seen better days. Makepeace took the two fifty-pence pieces as though they were carriers of yellow fever and paused, half expecting a swarm of blow-flies to escape from the sagging sack of change that the man constantly ran his stubby fingers through, in absent-minded pleasure.

The two coins felt warm in her hand, and she shuddered slightly as she went into a cubible on the left side of two rows of similar cubicles, that faced each other like a badly lit ladies' lavatory. She locked the door behind her and put a coin into the slot in the facing wall. Behind the wall, which seemed to be made of hardboard painted with dark brown emulsion paint and stained a lot at waist level, she heard the familiar crutch-grinding music of the strippers' world, and as the coin dropped in the box a flap lifted on the letter-box-sized slit and she looked in.

There was maybe eight or nine cubicles on three sides of a square, and Makepeace could see men's unblinking eyes on either side staring through their own little rectangles of fantasy at the girl in front of them. There was a chipped, bent-wood chair in the middle of the floor and behind the girl a large, cracked mirror. The girl was bending over the chair, cupping a pair of extremely tired tits in nicotine-stained hands and swaying in time with the scratching music. She had her back to the mirror and as she slowly opened her legs to straddle the chair, Makepeace wondered if the eyes behind the slits were on the mirror or the girl. She looked at the girl's face and saw the hopeless, unseeing gaze on her eyes as she stared up at the black ceiling and performed her excruciatingly ugly ritual. Her hair had once been blonde, but now little was left and the mousy roots were surfacing from her lousy scalp like lug worms on a doll's head. Her body looked grey and unwashed and there was an old purple scar on her belly in memory of her Ceasarean still-born; even her pubic hair looked in need of a comb. Makepeace closed her eyes and leant on the wall. She felt sick.


Should it seem as though I just 'got lucky' with my random selection, I'll note that the following page finds Makepeace, now in the Taboo Club, removing her stained top to reveal "the fullness and firmness of (her) breasts" in a room where people watch "out-of-focus hard porn German" bestiality movies.

So yeah, these books were pretty hard stuff.


Wednesday, 14 January 2009

Vomit!


1.

I've been ill with stomach flu on and off the last month or so, and it's got me mindful of throwing up.

Throwing up is a true curiousity. Vomiting may indicate that we are sick, may even cause us to die in some cases, and yet - at the same time, it is a simple process by which we may correct an illness and quickly feel well again.

Dogs famously eat grass in order to induce a good vomit; some thinkers have suggested that humans may better themselves with a regular voiding of the stomach as well. In the case of women, throwing up may even be cause for rejoicing, morning sickness signalling the beginning of a pregnancy.




As far as protocols in polite society go, it is scarcely possible to imagine doing anything in public more taboo than vomiting. Suddenly one's very body is beyond their control, and - with usually only a few seconds notice - the individual finds themselves in a most undignified position, often bent over, trying to avoid splashing themselves, striving to be as quiet and considerate as possible about something which is the very essence of loud and indiscreet. One is helpless, subservient to their internal organs, conscious but out of control.

Of course it is this very taboo that charges vomiting with such a power to shock, a potency present in the works of innumerable performance artists, from the cathartic purgings of the Vienna Actionists to the critical disgust displayed by Toronto's own Jubal Brown, who famously puked in primary colours on a Mondrian and a Dufy, protesting the art's "lifelessness".



2.

The first time I can remember throwing up, I was very young, perhaps four or five.

I was sick and it was late at night and my parents led me to the bathroom. I remember leaning over our bathtub, the lights dimmed, the feeling of something exploding within me - and suddenly my insides were outside and I was spraying the floor of the bath with stomach acids and whatever it was I'd last eaten. I felt ashamed and was horrified by this event; I resolved then and there that throwing up was not something I was interested in ever doing again.



The next time I was 'physically ill', I was at grade school - Grade Four, I think.

I had my hand up for what seemed like a half hour, but the teacher was ignoring me. I knew something terrible was about to happen. In desperation, I did something I had never done before, something that had been drummed into me as being simply unimaginable, beyond the pale - I stood up from my desk and just walked out of the classroom.

I got all the way down the hall and to the stairs before I couldn't hold it in any longer, and blew chunks all over myself and the hall floor. Appalled, I raced down the steep stairs and outside, only to flash again on the pavement. I walked all the way home, sickened by the stench, terrified to venture back in and explain this sudden exit. The next day some wit asked me why I would've thrown up outside, only to come inside and do it again.




A decade passes without incident. I discover alcohol, and shortly thereafter the routine of puking the morning after a bender. This is vomiting as an ecstatic ritual: party 'til you puke, the t-shirt says. A sure sign that one has had a good time, the chunks on your arms may be worn as a badge of pride, and may inspire respect where before there was only revulsion.





My fear of throwing up however goes up a notch or two. Worse than the deed itself now is the imminent awareness of it, the nausea and the dread, the sure knowledge that, sometime very soon, I will be bent over and vomming my guts out.

I find that my mind plays tricks on me in these slow-motion periods: that everything I see and touch and even think about causes me overwhelming disgust. I imagine that this focus, whatever it is that occupies my mind at that second - a bedsheet or light through a window or music playing or an idea - is the very thing that is making me sick. I find solace then only in blocking everything out; curling up in a ball with the lights off, focusing on a cool absence of anything, as much as possible.




Of course, there is the exception to every rule: on a couple of occasions, I have positively revelled in my hurl. At the end of one crazy night, I was given a martini in a mug, which I dutifully drank down and then threw back up the next day on the streetcar, and again on the subway back to my apartment. Riding public transit, there was no escaping the caged humility of it all. Instead, I embraced the yak and the fetid afterbirth of same, feeling something that, if not pride, was certainly in the other direction from shame.




Still, even this was nothing compared to a one-time consumption of ketamine, a drug I found endlessly fascinating, and which found me actually laughing out loud between hurls.

In time, I become a very fervent, loud puker. I would frequently puke so hard I would give myself a ruddy complexion of burst blood vessels, a puke tan. My ribs would ache with the intense strain, and I would frequently feel sore for days afterwards. I have rarely had a problem making it to a toilet or tub though; no embarrassing clean-ups for me. Now, I feel incredible in the wake of a good puke. Cleansed, purged. I am hugely relieved and I fall asleep.




It's easier too. The last time I threw up, I simply stuck my head into the toilet and took a nice, big whiff of my surroundings. Bingo.

3.

With the advent of the internet, we now know that there are those who are turned on by vomiting (emetophilia), and alternately those who harbour a great fear of vomiting (emetophobia).




Puke porn is an extreme fetish, a potentially dangerous act which of course involves bodily fluids and which may also involve toxins in addition to the usual fluid-exchange STD risk. The recent viral video known as "Two Girls, One Cup" was the introduction for many into this strange world, and many times (as in a few famous cinematic sequences) the very sight of someone vomiting may be enough to induce the viewer to do the same, creating a chain reaction of wrinkled noses, tightly clenched eyes, and voided stomachs.





Between puke fetish porn, relaxed attitudes towards public drunkenness (which has some areas considering whether to make vomiting in public a crime), and the widespread phenomenon of anorexics bingeing and purging, throwing up seems to be undergoing a public re-evaulation of sorts. Why, there's even a site called Rate My Vomit. Will our grandchildren see our attitudes towards vomiting as retrograde, fuddy duddy? Only time will tell.



Tuesday, 13 January 2009

Sunday, 11 January 2009